Note: Please
remember to check with the venue as to whether or not there is a cover charge
or ticket required for the shows you plan to attend. Also, some venues have an
age restriction. I have provided links to the venues when possible, making it
easy for you to check it out.
Not all
events take place in Texas. With that in mind I will begin listing them not
only by day but by TEXAS and ON THE ROAD. With that in mind…
Let’s Get
This Party STARTED!
TEXAS
Thursday – 28
Cody Joe
Hodges –Fralo’s Pizza – San Antonio
Chuck Hawthorne
– The Long Wooden Spoon – Amarillo
/w Libby Koch
Friday – 29
Almost Patsy
Cline – Luckenbach
Zane
Williams (solo)– Billy Joe’s Craft –
Port Aransas
Aaron
Einhouse – Lonestar Bar – Midland
Cody Joe
Hodges – Downtown Hall of Fame – Hutto
Josh Ward –
Billy Bob’s Texas – Ft. Worth
Saturday – 30
Jamie
Richards – White Elephant Saloon – Ft. Worth
Almost Patsy
Cline – Riverfest – Bandera
Zane
Williams (solo) – McKinney Performing Arts Center – McKinney
William
Clark Green – House Pasture Cattle Co – Concan
Terri
Hendrix – The Bugle Boy – La Grange
Bart Crow
Band – Freedom Fest – Floresville
Cody Joe
Hodges – Riggins 4th of July Party – Livingston
Casey
Donahew Band – Santa Rita Star Spangled Celebration – Big Lake
Sunday – July 1
Thomas
Michael Riley – T-Bone Tom’s – Kemah
Monday – 2
NO Shows
Found
Tuesday – 3
Zane
Williams (solo) – Railhead – Willow Park
Wednesday –
4
Jamie
Richards – Abilene Freedom Fest – Abilene
Matt &
the Herdsmen – Weslacos 4th of July – Weslaco
Thomas
Michael Riley – Blackboard BBQ – Sisterdale
Scott Taylor
Band – Miller Lite Blast-off – Victoria
Asleep at
the Wheel – Willie Nelson’s 4th of July Picnic – Austin
Casey
Donahew Band – Leander Liberty Fest - Leander
ON THE ROAD
Thursday –
28
Tessy Lou
& the Shotgun Stars – Follow Yer Nose BBQ – Emigrant MT
THE OUTSIDE CIRCLE, the thirteenth album fromMike Blakely, takes us on a true Western journey. With his iconic voice Mike treats us to track after track of Cowboy Americana, painting vivid pictures of a gone but not forgotten era. There’s just something about the cowboy life that calls to some part of us. Whether it’s making a hat your own, the way the leather of a saddle feels beneath you or the dust kicked up by a bronc in the rodeo arena there are memories we may or may not ever experience yet we feel as if they’ve been a part of our life.
While Mike has been writing about the western life both in song and fiction novels, he added a little extra spice to this album including three tracks co-written with a real-life cowboy, Damon Rogers. Rogers is a full-time cowboy, buckaroo and horse trainer.
As I listened to this album, I heard a lot of two previous CDs, RIDE THE RIVER and WEST OF YOU (Both Sold Out and no longer available). The first that caught my attention was The Hat Song.Another, The Ballad of Josiah Wilbarger, had the undertones of The Last Comanche Moon (West Of You cd). There are two hidden tracks that make THE OUTSIDE CIRCLE stand out from Mike’s previous recordings.
While there are many talented musicians on THE OUTSIDE CIRCLE, such as Kurt Baumer (fiddle) Ray Rodriquez ( drums, percussion), Lloyd Maines (steel) as well as Mike Blakely and Walt Wilkins ( guitar) one of my favorites is Julie Carter (Cello) Her haunting opening on The Ballad of Josiah Wilbarger is a pleasant surprise that makes this CD complete.
As writers we often hear the term ‘voice’, meaning how an author strings words together that distinguishes his writing from other pen dancers. Mike Blakely is true to his voice in both songwriting and his novels. You know when you hear the tune or read the story, they were penned by the one and only Mike Blakely without having to see his name on a dust jacket or CD cover. The fact that he brought others on board that compliment his voice shows his true mastery. His textured voice is what keeps bringing me back to his music and his stories. The depth of his storytelling in any form will make you feel as if you are there.
Note: Please
remember to check with the venue as to whether or not there is a cover charge
or ticket required for the shows you plan to attend. Also, some venues have an
age restriction. I have provided links to the venues when possible, making it
easy for you to check it out.
Not all
events take place in Texas. With that in mind I will begin listing them not
only by day but by TEXAS and ON THE ROAD. With that in mind…
Note: Please
remember to check with the venue as to whether or not there is a cover charge
or ticket required for the shows you plan to attend. Also, some venues have an
age restriction. I have provided links to the venues when possible, making it
easy for you to check it out.
Not all
events take place in Texas. With that in mind I will begin listing them not
only by day but by TEXAS and ON THE ROAD. With that in mind…
Let’s Get
This Party STARTED!
TEXAS
Thursday – 14
William
Clark Green – Hoot’s Pub – Amarillo
Scott Taylor
Band – Moonshine Drinkery – Victoria
Friday – 15
Matt &
the Herdsmen – Happy Cow Bar & Grill – New Braunfels
Almost Patsy
Cline – O’Brien’s Restaurant – Bergheim
Note: Please
remember to check with the venue as to whether or not there is a cover charge
or ticket required for the shows you plan to attend. Also, some venues have an
age restriction. I have provided links to the venues when possible, making it
easy for you to check it out.
Not all
events take place in Texas. With that in mind I will begin listing them not
only by day but by TEXAS and ON THE ROAD. With that in mind…
Let’s Get
This Party STARTED!
TEXAS
Thursday – 7
Zane
Williams (Solo) – Deep Ellum Brewery – Dallas
Scott Taylor
Band – Lonestar Gifts – Dripping Springs
Casey
Donahew Band – Stephenville
TexStar Ford Summer Nights Concert
Series
Libby Koch –
Anderson Fair - Anderson
Friday – 8
Thomas Michael Riley Festival – Luckenbach
Max
Stalling/ Tommy Alverson/ Blacktop Gypsy/
Tommy/ Dave Thomas/ Brett Watts
Matt &
the Herdsmen – The Dog House – Brownsville
Zane
Williams (Solo) – BierHaus – Lubbock
William
Clark Green – Crosby Fair & Rodeo – Crosby
Terri
Hendrix – Panhandle PBS Studio – Amarillo
/w Lloyd Maines
Asleep at
the Wheel – Coupland Dancehall – Coupland
Aaron Tippin
– Love & War – Plano
The Baker
Family – Blueberry Fest – Nacogdoches
Casey
Donahew Band – Cowboys Dancehall – San Antonio
Kelly
McGuire – Southdown Park - Pearland
Saturday – 9
Thomas Michael Riley Festival – Luckenbach
Steve
Helms Band / Davin James/ Jamie Richards/
Chris Wall/ Forlini & Cross/
Travis Smith/ Doug Rose
Bellamy
Brothers – House Pasture Cattle Co. – Concan
Matt &
the Herdsmen – Gruene Hall - Gruene
/w Kyle Park & Libby Koch
Zane
Williams (solo) – Hoots Pub – Amarillo
William
Clark Green – Floore’s – Helotes
Terri
Hendrix – Rockin’ Box 33 – Lubbock
/w Lloyd Maines
ShinyRibs –
The Kessler – Dallas
Scott Taylor
Band – The Barn – Mission Valley
Mike Blakely
– Western Edge Cellars – Fredricksburg
CD Release Party!
Sunday – 10
Zane
Williams (solo)– Landmark Bar &
Kitchen – Ft.Worth
Libby Koch –
Fulshear House Concerts - Fulshear
Monday – 11
W. C.
Jameson – Poodie’s – Spicewood
Guest: Bill Small
Tuesday – 12
NO Shows
Found
Wednesday –
13
Brandon
Luedtke – Threadgill’s – Austin
ON THE ROAD
Thursday – 7
Bellamy Brothers
– CMA Fest – Nashville TN
Budweiser Forever Country Stage
Music City Center
Tessy Lou
& the Shotgun Stars – Follow Yer Nose BBQ – Emigrant MN
ShinyRibs –
Cain’s Ballroom – Tulsa OK
Shenandoah –
CMA Fest – Nashville TN
Country Forever Stage
Aaron
Einhouse – Lewis & Clark Brewery – Helena MT
Billy Dean –
Hard Rock Café – Nashville TN
20+ other artists over the course of
CMA Fest
Eli Young
Band – JBGB Amphitheatre – Fayetteville AR
Trace Adkins
– Parker Days – Parker CO
Chuck
Hawthorne – The Empty Glass – Charleston WV
Friday – 8
Bellamy
Brothers – Bradley Co. Pink Tomato Festival – Warren AR
Jaryd Lane –
LA Corn Festival – Bunkie LA
Tessy Lou
& the Shotgun Stars – Chico Hot Springs – Chico MT
ShinyRibs –
Stickyz Chicken Shack – Little Rock AR
Shenandoah –
Rt. 66Casino – Albuquerque NM
Collin Raye
– Virginia Kentucky District Fair – Wise VA
Kelly Willis
– Birchmere – Alexandria VA
Chuck
Hawthorne – Henderson Hall – Williamstown WV
Saturday – 9
Jaryd Lane –
Orrpalooza – Glenmore LA
Dinnerbell
Road – Penn Velly Athletic Club – Butler PA
Trucks and Tunes
Tessy Lou
& the Shotgun Stars – Chico Hot Springs – Chico MT
Shenandoah –
Downtown Carlsbad – Carlsbad NM
Ronnie
McDowell – Mifflin Community Banquet Hall – Mifflin TN
Aaron
Einhouse – The Remington – Whitefish MT
Aaron Tippin
– Sugar Creek Casino – Hinton OK
The Baker
Family – Big Springs Park Car Show – Van Buren MO
Billy Dean –
Elizabethton City – Elizabethton TN
Cody Joe
Hodges – First National Bar – Pocatello ID
Bo Phillips
Band – Cookson – Tahlequah OK
Lakes Country Fan Appreciation Show
Gary Allan –
Downstream Casino – Quapaw OK
Kelly Willis
– North Point House Concerts – Norfolk VA
Trace Adkins
– Firekeepers Casino – Battlecreek MI
Casey
Donahew Band – National Sand Bass Festival – Madill OK
Chuck
Hawthorne – Barnyard BBQ – Burricane WV
Sunday – 10
Tessy Lou
& the Shotgun Stars – Pony Bar – Pony MT
Cody Joe
Hodges – Roadhouse Saloon – Idaho Falls ID
Mickey
Gilley – American Music Theater – Lancaster PA
Urban Cowboy Reunion Tour
/w Johnny Lee
Kelly Willis
– Rams Head on Stage – Annapolis MD
Chuck
Hawthorne – Paul’s Night Club – Lancaster OH
Monday – 11
Cody Joe
Hodges – Celtic Cowboy – Great Falls MT
Tuesday – 12
NO Shows
Found
Wednesday –
13
Zane
Williams – Brickyard – Wichita KS
Aaron
Einhouse – Shooter’s & Shenanigans – Pagosa Springs CO
/w Charlie Stout
The Baker
Family – Blistered Fingers – Litchfield MD
Released in January of 2015 by Ed Harris, CELTICOPHILIA is a compilation of thirteen well-paired tracks that will take you back to a time that may not even have been a part of your heritage yet you'll feel as if you've come home. If you listen close you'll hear the fingerlings of everything available today, yet with a deeper sense of the way music was meant to be played.
You will tap toes inside of handcrafted, soft leather shoes you didn't know you owned to tunes such as Bonaparte's Retreat, Hommage a Edmond Parizeau, The Reel of Mullinavat (free download from album link above), Music for a Found Harmonium Sean's Jig or Roy Ashby's - Buckney Burn.
As the evening winds down, the tempo changes to a more soulful, almost haunting range with Eirigh Suas A Storin, The Carraroe or Lament of Dearhair (A Brother's Lament) ( a tribute to his late brother). While Teh Carraroe has a slightly more moving tempo, you can hear a haunting undertone that draws you in.
Overall, every album Ed Harris puts out is worth adding to your library. I'm tipping my cap:
Ed told us yesterday that Shenandoah has been one of his favorite tunes since he was a little boy. Here's his YouTube video:
You may purchase your copy of CELTICOPHILIA by going to one of the following links:
This week, I want to introduce you to one of the most accomplished Celtic/ Bluegrass players I've ever met. Traditionally, Ed Harris is a Celtic musician but the roots of Bluegrass run deep across the pond, blessing us here with a unique sound of heart, soul and a lifetime of tradition.
I first met Ed on line about two years ago. We were in a chat room following the Bluegrass Music Awards. I'd never been in the group before but Ed especially made me feel right at home. I picked him up on Twitter and have been following and sharing his talent with my followers ever since. So let's open the chute!
Thank you
for joining me this week, Ed. This is a real treat.
As you know
I primarily cover traditional country as well as bluegrass music. But as we’ve
discussed, these genres are fingerlings from Irish and Celtic music going back
generations. The strains were brought to the US by Irish and Scottish
immigrants.
When you
first fell in love with the genre, did you have that ‘ah ha moment’ or a sense
of coming home? Actually, it did! It was definitely
an “Ah Ha” moment! Music has always been a part of me since I first picked up
the guitar at age 5. I studied classically, took up trumpet and piano as well and
played in jazz ensembles, orchestra, did the rock thing for a very short time
when I was about 12-16 years old, then it was acoustic. I absolutely loved
James Taylor, Jim Croce, Cat Stevens, John Denver.
As I got older, I dabbled in
jazz again, then bluegrass, new-grass, and folk, but never really considered
the Irish/Celtic/Breton genre until I volunteered as a sound engineer for the
Fiddle and Bow Music Society around 1987. Fiddle and Bow is still an active
music society which was founded on and always supported promoted Celtic Music,
and I immediately connected with it. I can’t believe it’s been almost 30 years ago
now since I first ran sound for the group, “The Woods Tea Company” with Andy
Irvine. I was hooked after that, and the rest is history! Besides, it is my
heritage, and may in part be reason as well…
What is it
about the music that speaks to you, what do you hear? What
speaks to me most is in how it connects us to the past. Whether it’s the
melodic quality of an Aire or that of a Strathospy, or the fast tempo of a Reel
or Jig, it is a music style which remains ageless and reminds us that we as
humans have not really changed all that much over time. Also, the rhythms and
ornamentations are so subtle yet complex that the unaccustomed listener often
misses out what is actually happening within the music. It is a style rich in
culture and welcomes many different instrumental voicings ranging from the
ancient Celtic harp, fiddle, tin whistle, Uilleann Pipes, tenor banjo, flute,
and the list goes on.
Unlike for example, bluegrass which I had found to be a
bit more restrictive. Don’t get me wrong, I enjoy and appreciate bluegrass very
much. But a requirement is you need a Martin D-28 or D-18, a Gibson F-Style
Mandolin, and so on. Don’t dare attend a bluegrass jam session with an A-Style
(tear drop shape) mandolin or Taylor made guitar or you won’t be taken seriously!
lol
Just a side note, the fiddle I play is over 100 years old, and it has worn
areas on its soundboard from where fiddle-sticks had been played as a
percussive accompaniment. There is a special connection every time I pick my
old fiddle. First, I always wonder about it’s history and all the hands that
had held it before me. Secondly, I acquired it in 1993 just after my dad had
died. He always enjoyed the fiddle but had never heard me play. Celtic music is
much more than what you hear…it is about what you feel and in how you convey
that feeling to others. I hope to be able to capture some of that magic one
day…
Aside from
your mom, who has been the most influential in your music career? There are many professional artists who have influenced
me musically. Music is perpetual. Musicians will always be students in that we
are always wanting to learn and share new musical experiences. In my life
journey I have had the pleasure and privilege in meeting many talented and
wonderful people. Since I play several instruments, those that inspired me the
most are seemingly from one end of the musical spectrum to the other! However,
they include, Segovia, Chet Atkins, James Taylor, Louis Armstrong, Al Hirt, Liz
Carroll, Kevin Burke, Martin Hayes, John Doyle, Tony Rice, Doc Watson, to name
a few.
If you could step back
in time and had the opportunity to learn something about the music at the knee
of someone, who would you choose and why? For Irish
Fiddle, It would be a toss between Kevin Burke and Martin Hayes. Kevin, has a
very down to earth approach on the fiddle and exemplifies a master you would
find standing out during an Irish Seisiún and Martin Hayes for his almost
inhuman technical ability. I could list mentors I would like to have spent time
with for guitar, bouzouki, citern, mandolin, mandola, etc. but would take more
time than intended. Since I’ve played guitar all my life I will mention that I
would love to have spent time with Segovia for classical, and Chet Atkins for
his sheer genius and with John Doyle for Irish Guitar. He is a master of the
genre.
I’ve read
that bluegrass seems to have a rigid instrumental blueprint, whereas Celtic
does not. Are there instruments that lend themselves to both very well? To
flip, are there instruments that are more in line with bluegrass, and ones more
prominent with Celtic? Yes, this is
true as I had mentioned earlier. However, there are a couple of instruments I
can think of that do lend themselves to both genres with basic differences in
design only. Guitar, Mandolin, and Fiddle. Typically, a bluegrass ensemble
consists of a 5-string Banjo, F-Style Mandolin, Guitar, and Upright Bass. Occasionally,
you will see a Fiddle (violin) but not as often as the others mentioned.
Unlike
it’s cousin, Celtic music utilizes a plectrum or tenor banjo which picks the
melody note for note. The 5-string is not conducive to Celtic music. I have
seen accomplished claw-hammer banjoist perform Irish music and I’m certain an
accomplished 5-string bluegrass musician would be capable in expressing Celtic
tunes as well. However, it is not common to say the least. The mandolin
difference only lies in the body style. The F-Style mandolin is discernible from the A-style by its rather ornate and curled asymmetrical extension near
the fingerboard. The A-Style mandolin is best described as having a symmetrical
tear-shaped or pear-shaped bout. No difference in their tuning but their
projected sound is different due to their shape.
Martin guitars are coveted and
the staple for the bluegrass genre. The D-18 and D-28s have strong sound
projections which “cut” through the competing volume of the banjo and mandolin
which is the main reason they are common. Celtic guitar is customarily softer
in tone and really isn’t used as a lead instrument much. This is why you see
many Celtic guitars with cedar tops as opposed to the brighter and louder
spruce tops of the bluegrass guitars. Celtic guitar players often use
alternative tuning as opposed to the standard tuning which is common in other
genres. The most prominent tuning for Celtic guitar is DADGAD. Of course there
are other tunings used such as open C, dropped D, etc. as well and the purpose
of these tunings is to attain a “modal” or “drone” sound.
Other than
guitar, what other instruments do you play? I had mentioned
a few earlier, but it all started with guitar. In addition, I dabbled on piano
and played the trumpet (still pick it up now and then) during my school years
and into college. If you’re looking for list, I guess it would include,
acoustic and electric bass, mandolin, mandola, violin, viola, cello, harmonica,
recorder, bodhran, keyboards, tenor banjo, bouzouki or octave mandolin, and cittern.
Recently, I’ve been dabbling with claw-hammer style banjo which I would like to
try and incorporate into some of my music sometime.
What is your
favorite tune to play and why? Oh my, I don’t
know if I really have a favorite tune to play. My all time favorite song is
Shenandoah which I have loved since early childhood. I have been asked on
several occasions if I have any score or tap on how I perform “Si Bheag, Si
Mhor”
Actually, I
had an Irish TV station contact me asking for permission to use my video for
one of their episodes on Canals in Ireland. They assumed I was a member of one
of their licensing agencies there in Ireland. I informed I was not but
licensing release could be worked out via BMI of which I am registered. Due to
tight timelines it was not feasible however. Other tunes that are among my
favorites are: “Two Rivers” (https://www.youtube.com/watch?v=hVVrVgDrSIQ) and “Jock O’Hazeldean”
(https://www.youtube.com/watch?v=wpkQU3mykoo). An original instrumental I hold dearest is “A
Brother’s Lament”(https://www.youtube.com/watch?v=o068-_pyv2o). It’s a tune
I composed to commemorate the death of my youngest brother to lost his battle
with cancer. There is a story behind how it came to be after numerous failed
attempts…but that is another story.
Bluegrass
seems to be making a resurgence. Thanks to groups such as Celtic Woman and
Celtic Thunder, an appreciation for Celtic music also seems to be gaining in
appreciation here in the states. What do
you want listeners to take away from hearing you, or any Celtic performance? From me,I’m
not sure really! I just enjoy learning, creating, and recording music because
it is a passion of mine. I’m not trying to save the world or become a household
word or be discovered and signed by a record label. For me, it’s none of that.
I have complete artistic freedom, in that I have absolutely no pressure to
perform or wonder where my next gig is going to be, or if my audience or fans
love me or not. I just do it for the sheer passion of doing it and if something
connects at some level and brings some joy or reflection into someone’s life
somewhere, then it’s all worthwhile. For me, it’s about connecting.
Music is
universal on do many levels. Now, for others, it is my sincere hope that
exposure to not only this genre, but to other musical genres, will help broaden
and deepen appreciation, respect, and tolerance among peoples of many cultures.
Too often, I find music listeners have a narrow view musically when there is so
much beautiful music out there.
Thanks for
joining me today, Ed. I look forward to continuing to share your music with my
readers.
Please check out the YouTube links Ed provided and subscribe to his channel. If you'd like to learn more about Ed, you can check out his website and social media via the links below.
