As much as I would love to get the Party List up for this month, just not going to happen. Neither are any other posts until next week.
Bob is home... so that limits my time. He is more important.
Bob is home to man the house so I can head out to a writers conference. Great songwriter is one of our speakers this year. (Walk in Registrations welcome! Ozark Creative Writers)
I won't be back until late Monday and Bob will only be home one more week.
Life will return to 'my normal' after October 22nd.
As I sat
listening to Old Ghosts & Lost Causes, by Helene Cronin, I am captured by the depth of
the stories told in a beautiful simplistic style. While she has definitely
evolved from the shy young girl playing a ‘guitar really loud while singing really
soft’ a lifetime ago, a part of that first performance still remains in the shadows.
She’s watching, learning, yearning to burst forth for her chance.
Helene
Cronin’s time has come.
While this
is not a virgin project, (she has two EPs in her resume), this may be the one
that really showcases who she is and what she is capable of. At the core,
Helene is a songwriter – a damned good one. As Terri Hendrix summarized, ‘Helene Cronin can flat out spin a lyric.’
Zane Williams calls here a ‘master of
words who writes and sings straight from the heart.’ There are a lot of
folks who claim to be songwriters. Some are awesome at their craft, while others
can write lyrics but lack a soul.
Helene
Cronin has both (and then some), melding lyrics and heart into something magical.
Every track
on Old Ghosts & Lost Causes tells a story… each a mini-motion picture in
black and white. As you listen, you not only ‘see’ the story play out but you
feel the emotion plugged in to each one.
Old Ghosts
& Lost Causes releases October 11th (this Friday!) You will want
to grab a copy. Maybe even do a little early Christmas shopping for someone you
know appreciates a great mix of Americana, Folk and Blues. Until then, I’ll
leave you with one of the tracks from the album, performed at Opening Bell
Coffee in Dallas, TX last fall.
This is a great album. I look forward to hearing more from her.
I’m tipping
my hat:
.8
You'll find Helene Cronin by clicking the following links:
Note: I love being introduced to artists that have been under my
radar. Thanks to Adam Dawson at Broken Jukebox Media for bringing great talent
my way.
Helene Cronin is one of those artists… one whose music I could put on
a loop and just chill or sit at a campfire with and just listen to her.
Thank you
for joining me in KellysCountry today.
As I read
over your OneSheet, I see some of your peers who describe your musical
abilities better than I ever could. Let’s take a look at one:
“… Her ability to crawl within a subject and
pull a story or emotion out the other end is what makes her a brilliant
songwriter. Those writing chops delivered with those earthly vocals have made
her one of the best artists I’ve heard in a long time.” ~ Terri Hendrix,
Songwriter
1 – What was
your initial emotional reaction when you read those words for the first time?
I was touched, and very grateful to Terri for this
statement. She's a prolific, gifted songwriter and
an amazing musician and live performer. To have someone like Terri Hendrix say
that I was one of the best artists she'd heard in a long time was very
encouraging. Also, she focused on the songwriting, which I loved. Lyrics are
what I've paid the most attention to over my career, so when another talented
songwriter gets what I do, it means a lot!! Also I like that she said
"earthy vocals"!! That made me smile!
2 – Fifteen
years is a long time to write and perform for others. You spoke of an
‘awakening’. What clicked for you that moved you on the new path?
I've been traveling between Dallas and Nashville since
2004, writing for the commercial country market, along with everyone else who
moves to Nashville! In 2008, I wrote a song called "Lucky Me" about a
soldier I talked with at the airport. In 2010, we put a video of the song on
YouTube. "Lucky Me" brought me a flurry of attention and mild success.
It did a lot to renew my faith in myself as a writer. In 2014 I signed a
publishing deal with a Nashville publisher and worked with her for the next 5
years writing with well-established writers and up-and-coming artists. In 2014 and 2015, I
put out 2 EPs in order to have product to sell at shows. So it's important to
understand, that 15 years was not wasted time! I was honing my craft. I was
doing what I loved!
As my publisher watched me perform my own songs, and as I
grew into owning my artist career, it seemed like the right time to step things
up! She suggested that I find a producer and do a full-length record.
My goal in releasing what I consider to be my first, serious
artist project was to put together a well-thought-out body of work that was not
just the audience favorites, or the songs that I thought would sell CDS, but
the songs that represent who I am and what I want to say. Ultimately the hope
is that this CD would increase my visibility, that it would lead to album cuts
and writing appointments. But more than that, I hope to introduce myself to a
bigger world and widen my audience. The "awakening" was beginning to
believe my circle of writer-friends, who told me they loved my song delivery,
my voice, my writing. And perhaps it was finally believing that I was worthy of
spending time and money on a project like this, and that I was not crazy to
hope for more.
3 – Your
musical style cuts a wide swath through a variety of genres. Who were some of
your influences as you began to develop the music of Helene Cronin?
That's an interesting question. I'm a mixture, sometimes
too folk for country, too country for folk purists, a little rock, and to my
surprise a little blues on this album. But here's my best attempt to explain
it. My first instrument was piano, playing from 1st grade through college; it's
where I learned music theory. Picked up guitar in 8th grade, playing everything
on the radio. I did not care for what I thought was "too-twangy"
country music. But in the mid-90s, I started listening to country and realized
that's where the story-songs went - it was a genre where lyrics were king. I
think I've been influenced more by songwriters than artistic styles. I just
want to write GREAT lyrics. I want to make people cry and laugh and most of all
FEEL. Because Nashville has a songwriter community like nowhere else in the
world, when I'm in town, I go to shows and listen to great writers. Like all songwriters,
I have my "go-to" grooves and style of playing, so I like finding new
tools - chords, capos, tunings - to help me break out of my typical patterns.
4 – Mean
Bone was co-written with your daughter, Alex. Have you written together before
or plan to pair up again?
Alex is a fiction writer. She began writing novels in 6th
grade and had the most disciplined daily practice of writing I've ever seen. By
the time she graduated from high school, she'd completed 6 fantasy novels, in
the world-building tradition of Tolkien, Gaiman and Wynne Jones. She now writes
for a local magazine here in Plano, TX called "Local Profile". She
currently has a manuscript placed with a literary agent in NYC who is shopping it
to publishers!
I began writing songs in college, and never stopped even
as our family was growing. My husband and kids were usually the first to hear
new songs I'd written, so Alex grew up around songwriting! She understands
songs. More than that, she understands story-telling and narrative. When she
heard me working on Mean Bone, playing the bluesy feel I was experimenting
with, she came downstairs and listened, suggesting a small edit. I said, "why
don't you write it with me?". We had never written together before, but she
contributed some key lines, and an important final point in the bridge of the
song. I was a proud songwriter-mama!
5 – I love
the perspective of a dead husband on Ghost.
I write paranormal romance, so this one especially caught my attention. Where
did this one come from?
My first co-write with Davis Corley had produced the song
"Riding the Gray Line" (track 5) which I love. We scheduled a 2nd co-write
in Oct. 2018. As we sat down and talked, Davis mentioned the idea of writing about
a ghost. We had a blast talking about the character and his story, not sure yet
where it would take us. Davis stepped outside to smoke and walked back in with
the entire first verse. By the time we stopped for the day, we had what looked
like 4 verse sections.
It was 2 months before we got back together. I mentioned a
line that was bugging me and threw out an alternate idea: "It's best if
she believes I'm beneath that dirt and stone". Davis loved that and in his
brilliant way, made that a key part of each chorus section, changing it in the
final tag to make the story heartbreaking, beautiful and sad all at the same
time. It was amazing to get to the last few lines and see how the story had to
end. We had not plotted it out in advance, but just let it unfold as we tried
to solve problems and move the ghost through time. I love the song ending, but
some people (including my husband!) are really bothered by it!
Because this song was completed in December and we
had tracked the band in November, it was
not supposed to be included. But when I played it for my producer, Matt King,
he said "that HAS to be on your record. Let's do it with just you and
guitar." I played the guitar part all the way through in one pass,
complete with buzzing strings and the creaking of the stool I sat on!
6 – You won
New Folk award at the Kerrville Folk Festival in 2018. What advice would you
give to others taking part in the festival for the first time?
The best thing you'll get from the festival is the
relationships! Go to Kerrville to network, to make friends, not to win a
contest. Of course, sing and play your best and good luck to everyone who
enters! But Kerrville is like a family. Join the family. Play at the campfires.
Stay in touch with your "class of" if you make it into the finals. It
is an amazing, highly revered festival. Winning was wonderful, but good things
happen for all who enter, not just those judged the "winners"! So
have fun and don't take yourself too seriously!
7 – Speaking
of first times… do you remember the first time you performed ‘professionally’
and would you share that experience?
The first time I remember getting up in front of a group
to sing a solo I nervously decided to play guitar really loud and sing really
soft. I was insecure about my voice. I can look back and smile at that kid. She
had no idea she would grow to love speaking to people through songs, through
stage fright, through fear, through crushing shyness, and would find strength,
courage and empathetic audiences, just as hungry as she was for an authentic voice.
8 – If you
wanted folks to know one thing about who Helene Cronin is, what would that be?
That I am a growing, developing, imperfect human being
who absolutely LOVES to show up with my whole heart and tell stories in song;
who is still shy, who writes from those deep messy places, but who also finds
humor in life. Because of the surprising (to me!) way people respond to my
writing, I hope to continue having a life where I can share my songs with others
who are stumbling through it just like me.
I'll be reviewing Old Ghosts & Lost Causes tomorrow. In the mean time, here's a sample of one of the tracks from the album:
You'll find Helene Cronin by clicking the following links:
I have a major work deadline for Saturday so the Party List is delayed this week. I will do my best to get things running for next week but I leave for a writing conference on Wednesday.
Did I mention Bob is home?
Real job has to come first this week... even ahead of Bob, but we discussed this beforehand.
Communication is the key to any working relationship. That probably has a lot to do with why we've been together for 35 years and are still best friends.
Speaking of Best Friends, one of my besties has a new cowboy book out.
Please check out June Faver's new release:
