Today, I have a real treat. The new album, I CAN FACE THE TRUTH, by Dana Cooper is all kinds of traditional country comfort. Dana wrote eleven of the tracks, co wrote one with Robert Weingartz and covered one of my favorite Hank Williams tunes. Let's check these out!
My first impression is that while an undercurrent of traditional country flows throughout the album, the definitive folk style shines through like sun sparkling off the water; just takes your breath away.
Overall, I Can Face the Truth is a documentation of sorts of the experiences and life lessons on his musical journey. Always Old Friends speaks of the connections we have, whether they be with people, places or experiences along the way. They become a part of us - like old friends.
I Can Face the Truth is one of two tracks on this album that I feel would be a perfect fit for the Walker, Texas Ranger reboot starring Jared Padalecki. Along with Laughing and Crying, the two songs mimick the the Walker's recovery from loss that his character has faced from the very beginning, while trying to move forward . Everywhere he turns, Walker can't seem to catch a break, always haunted by his past.
Not far behind those two would be track number six. I'm So Lonesome I Could Cry is the epitome of what it means to take a song and make it your own. While there's still a hint of the anquish Hank Williams poured into one of his most memorable hits, Dana Cooper has opened up the wound, letting us feel the misery some of us may have felt during the pandemic.
While the album is somewhat of a documentation, there's a larger aspect to this album. I CAN FACE THE TRUTH is a shining example of the possibilities within the industry, today. With the virtual opportunities to work togther, the possibilities for creating something magical are endless. Dana shares his thoughts on this...
"In all my years of recording, I've never felt more free or creative in the studio."
I think a lot of that has to do with the opportunites to work virtually, brought on by the pandemic. While a good portion of this album was put together prior to that event, the aftermath brought in new additions from different parts of Colorado as well as Ireland.
I CAN FACE THE TRUTH is the result of what can be created when you believe in something, and yourself, enough to push through any roadblocks. When you do that, magic is always the result!
Here's another track from the album:
I'm tipping my hat ....
You will find more of Dana Cooper by clicking on any of the following links:
Today I have the pleasure of introducing you to Dana Cooper. An artist with a fabulous blend of old school Americana and Folk. I'll drop one of his videos down below to tease you until I get the album review up tomorrow.
In the mean time, let's open the chute!
Thanks for joining me in KellysCountry today, Dana...
You got a really early start in
this business. You were playing coffee houses in 1967 – a time when folk music
was still going strong. Who were some of your biggest influences leading up to
that time? So many people influenced me early on, Hank Williams, Buffy St.
Marie, Bob Dylan, Leonard Bernstein, Ray Charles.
I first heard your name in
connection with Shake Russel. You were a part of several bands in various
sub-genres of folk/ rock music including your pairing with Shake before moving
to Nashville to work on your solo career. What was in your heart to make the
switch from band mate to solo career?I made the decision to leave the band
with shake russell when I began listening to artists like Elvis Costello,
Laurie Anderson, and the Clash. The songs I started writing just didn’t fit
what we were doing with that band. DC3 was my chance to experiment with
different kinds of songwriting. After a few years I began moving back toward my
beginnings, only this time incorporating lots of the other influences I’d
gathered along the way.
You have a list of awards/
accolades some musicians can only aspire to. What do you feel was the key
ingredient in those career markings? Did each of those awards/ recognitions
build on the next one… ie what did you take from Miracle Mile as you moved into Harry
Truman Built A Road?Awards are gratifying but they’ve never been a driving
force for me. The recognition received is an indicator that one is doing good
work and it helps drive me to improve as an artist and writer. Miracle Mile was
released at a difficult time for me. I was without a booking agent and the
label wasn’t gaining much support for the project. Being nominated for the
Nashville Music Awards was a much needed validation. Harry Truman Built a Road
was in many ways another new beginning. Again, the accolades it received
boosted my morale and did a lot to put me back on the map as a solo singer
songwriter.
With that still in mind… was there
a bridge between those, including Incendiary
Kid in 2017 that moved you forward into I Can Face the Truth?I have always worked with incredibly talented
people on my recordings. Richard McLaurin and Mack Linebaugh were my
co-producers for Harry Truman Built a Road. Richard also co-produced Made of
Mud with me. Thomm Jutz came on board to co-produce Building a Human Being,
Road Show, and Incendiary Kid. Working with the best people has always been my
goal and all these folks helped me create greatest music projects. Meeting Dave
Coleman was yet another big turning point for me. The recording studio can be
an intimidating environment and I’ve never felt more comfortable and free in
the recording process than I was with Dave.
I loved the title track. I felt
the process of that track as shining example of the possibilities within the
industry today. The virtual possibilities of working together really lends to
creating something magical – even when we can’t work together in person. A lot
of artists would (and did) just put the production side of their music on hold.
What was the key to you and Dave Coleman pushing through the shutdown, which
most saw as an obstacle?Dave Coleman and I began with the song I had recently written,
I Can Face the Truth. We finished it in an afternoon and we knew immediately
that we wanted to continue working together. There was this natural musical
affiliation we felt. I was still writing songs for a new CD but hadn’t even
begun making a plan to record yet. So, we worked gradually as my touring
schedule allowed. When the pandemic hit we shut down like everyone else. During
that time I concentrated on writing and once some time had passed and we felt
somewhat comfortable we worked in the studio masked and in separate rooms. Some
of my co-writers shared their vocals long distance and once things opened up
Dave and I returned to work with other players and singers, again masked and at
a distance.
I love good Texas dramas/ sitcoms.
Especially, if they pull in some of my favorite Texas artists. I’m really
dialed in to Walker, Texas Ranger and think a couple of your tracks would be
outstanding for the show music tracks. The title track as well as Laughing and Crying, parallel the
storyline perfectly. Have you thought about getting your music in front of
those folks? I would love to have my music placed in films and television
shows. That’s something my current manager is working toward.
You wrote or co-wrote every piece
on this album with the exception of one cover. What was your thought behind
including I’m So Lonesome I Could Cry?My dad, George, was a big influence on me musically. His record collection was
eclectic with an emphasis on Country artists like Hank Williams and Ernest
Tubb. Dad took me to bars with him when I was 2 years old. He’d play the
jukebox and I would sing along with Hank and Ernest. Dad took me to see Ernest
Tubb in concert when I was three. I’m so Lonesome I Could Cry has always
reminded me of my father and I included it on the new CD in his honor.
What do you hope your listeners
will take away from this (or any of your previous) albums?My goal has always
been to lift people up out of their struggles, make them laugh and maybe bring
a tear to their eye. That’s what music gives me, a sense that someone else
feels the way I do, that I’m not alone in this world.
You will find out more about Dana Cooper by clicking on the following links:
With the exception of a sinus infection every fall, I am almost never sick. Bob and I got hit with the stomach flu the end of February that hung on for SEVEN days! I never want to be that sick again nor wish the misery on even my worst enemeny - though I don't think I have any.
I'm going to test run The Party List posts this month. If the arthritis in my wrist flares up too bad then, sadly, I'll have to drop that aspect of KellysCountry. I really hope that won't be the case, but I wanted you to know where I'm at on that one.
Anyhow, I am back to work and boy do I have some stuff lined up for you!
I'm featuring Dana Cooper today and tomorrow. Next week, I hope to share Josie Bello so stay tuned!
Welcome to a brand new year in KellysCountry. I do apologize for dragging my feet but I just couldn't seem to get into a groove. As this 'job' doesn't pay me actual cash, I hadn't put posting here at the top of my To Do list. I'll come back tomorrow to give you an update on this channel. In the mean time, let's plop one on the turnable!
One of the reasons I work with Adam Dawson at Broken Jukebox Media is the guy knows what to put in each of his reviewers/ radio stations hands. He knows what each of us likes and from which of us he can count on different perspectives. Today is case in point.
The first time I heard the title track, THE WAY THE RIVER GOES, I heard familiar strains... that calm ballad voice that when I hear it I instantly think of my friend Chuck Hawthorne. Like Chuck, Dan Weber's voice carries that home grown tone filled with life experiences.
Without making the songs about his personal trials and tribulations, he draws on the nuances of those experiences everyone can relate to. Like a river, the tracks are filled with all the twists, turns and currents he has traveled. Haven't we all traveled that river and come out with stories to tell?
The Way the River Goes began way back in 2017... a journey all its own from the Pacific Northwest, to New Mexico and finally to Texas, thanks to life hurdles and a pandemic.
Ever Since Columbineis like a myriad of logs floating past; things that while may not touch us directly, still calls on us to navigate the reason beind debris littering our world.
The current picks up a bit with Watcha Gonna Do About That as well asYou Make Me Wanna Dance.... quick little numbers for a spin around the dancefloor.
Here's a sample track from THE WAY THE RIVER GOES
Easy floating ballads blended with snappier tunes meld the Folk style Dan is known for with the best in Americana Texas has to offer make THE WAY THE RIVER GOES is an outstanding compliation. Will all of those life hurdles and moves, I think this album, like everything else in life, is right on time.
You'll find Dan Weber by clicking on the following links:
A few of our guests from this year
want to share their Christmas song favorites with all of you. I'll be featuring
each one from today through Christmas Eve. I'e saved the dual answer/ dual video for your Christmas Even enjoyment.
I asked the question -
What is the one Christmas song...
that when you hear it, you know the holiday season is officially here?
I've tried to locate a video for
each one.
Michelle: This might be a boring answer but
I’d say probably White Christmas. I grew up watching the movie White Christmas
with Bing Crosby every year with my parents, so the song is definitely
nostalgic for me. There are many beautiful versions of it, and it’s a classic
for a reason.
Jason: I like the old jazzy
ones best. My favorite is probably “Have Yourself a Merry Little Christmas. As
you may have noticed from my songwriting, I’m a real sucker for a sad song.
Note: since he mentioned 'old' jazz, I had to go with this treasure from Kenny G
You will find Michelle & Jason Hannan by following any of these social media links:
A few of our guests from this year
want to share their Christmas song favorites with all of you. I'll be featuring
each one from today through Christmas Eve.
I asked the question -
What is the one Christmas song...
that when you hear it, you know the holiday season is officially here?
I've tried to locate a video for
each one.
Feed the world..I always look
forward to Bonos part.
You can find out more about Kristian Montgomery & The Winterkill band by clicking on the following links:
