I had the pleasure of spending some time with today's artist. He is one of the nicest guys you'll ever meet. If I can catch up with 'Kevin', I'll try to bring an interview some time next year.
In the mean time, with the onset of deer hunting season, I thought I'd share this one:
I'll have The Party List up late afternoon tomorrow. I've spent all day scheduling the Author blog post for the month of November. That's one of my bread & butter blogs and take presidence.
Today, I'm posting a special video - a new one by George Strait. Please Remember, Pray and Share.
Good morning, everyone! I have an inspiring artist with us today. I hope you'll enjoy this interview. I know this is without a doubt the most fun 'email' interview I have ever done and I hope to have the opportunity to meet Julia in person.
Let’s open the chute!
Hi Julia,
Welcome to Kelly’s Country. Thanks for joining me today and taking the time to answer the questions.
You mention listening to Peter
Paul & Mary… how you really connected with their music from a young girl.
Can you share what your first impression was that has since influenced your own
music?
I love this question. It really
helps me think about where music first got in amongst me. My dad played PP&M on the stereo everyday
after we got home from school. Their songs were so beautiful, so full of vivid imagery.
“Take off your old coat, and roll up your
sleeves.” (Old Coat) That made a
powerful picture in my mind. “A girl so
sweet that when she smiled the stars rose in the sky” (Lemon Tree) I could see myself laying in the grass gazing at those
stars. “I heard a man come a clankin’, he had a long chain on.” (He Had a Long Chain on) I see that
meeting in the moonlight. Then when I found out that these were old, old songs,
I loved them all the more. They tell history.
Your bio reads like a travel
itinerary over a lot of different genre paths. Tell us what you can recall from
the first time you performed with a band and thought ‘this is it’.
What a great question! It would be
in early 2000s when I was in a Virginia band called One Horse Town. When we were at our peak with some incredible local
players, it was as easy and fun as surfing waves in Hawaii (I speculate).
That’s when I said “Hoo boy, this is IT!” Now I’m pretty ruined - I only want
to play live with people who are better than me.
MOTEL released regionally a couple of years ago. Now you’ve sent
the album into a wider atmosphere. Most artists just jump in the deep end. Why
did you give this a regional release first?
Er, limited resources. I couldn’t afford to do much more! By and by,
I came into some dough and decided the album deserved more attention.
In the songquibs you mentioned
seeing a motel that made you just want to pull over, check in and close the
door. Did you and how did Motel come to be the title of the album?
I never did pull over, Thinking
about it was enough. People always
responded really well to that song, and it had something important to say about
me. I loved the title “Motel”- such
an open word, so many contexts, and easy to remember. And I knew I could come
up with a killer cover for that title.
Les Thompson was one of the
co-producers of this album. How did that come to be?
The crowd of musicians in western
Loudoun County VA isn’t huge so most folks know each other. He knew my band and
did sound work here and there. Les had a studio that Danny Knicely (one of the
TOPPEST musicians I’ve ever met) recommended, so I made the call.
While nothing else about the
track is reminiscent of him, the guitar intro to Cool Water had a John Denver
vibe. Were you influenced by his music at all?
Ack! Help!I didn’t go for to do
it! Ok, truthfully, I was influenced by JD now that you mention
it, He has this song “The Eagle” and
it starts with ringing, shifting E chord shapes down the neck, winding up on a
richly strummed E chord. That sort of
attack intensity definitely showed up in “Cool
Water”. Holy cats. Do I owe him
money now? You really ask some great questions.
Of all the people/ bands on
your musical journey, what area or artists to you think influenced you in
developing your own style the most and why?
Early David Bowie. His songs are
miraculous and surprising and run all over the place, style-wise.
And he still revered the power of the well-strummed acoustic guitar. He gave me
the courage to break out of established patterns and tread some shaky ground.
And his voice was all his own. On Motel,
I was seeking out some new ways to sing to explore some Bowie magic.
According to your website,
this is your fourth album. How do you think you’ve music has evolved throughout
the process?
When I first started playing live
music, I was usually playing bass for someone. I didn’t have any confidence in
my own stuff. I’ve played bass on a ton
of recordings but I couldn’t see myself
presenting my own music, much less recording it!
When I met Janet Emma Garbe
(co-lead One Horse Town) , one of
the most influential people in my life, we were able to put songs together that
were really fun to sing and play. We were better than the sum of our parts
and, working with her, I grew a lot as a
songwriter. Janet had some great contacts, which resulted in Jon (Starland Vocal
Band, Mary Chapin Carpenter) playing keys with us and producing our record, Dawn Will Deliver. Who knew that such
an ultimate musician lived in our town! We were very lucky, and Jon made our
stuff pop to life. That guy leaks great
music wherever he goes.
I would say that Motel and Dawn Will Deliver are the only records I’ve been involved in that
express who I am and where I came from. That’s what was most important to me
when I set out to record Motel. Thanks for your interest in my stuff. I
appreciate you taking the time to ask me some cool questions.
I really enjoyed this interview and hope you did as well. I'm linking one of Julia's video below. Tomorrow, I'll be back with my review of MOTEL. You won't want to miss this one!
You will find more of Julia on her WEBSITEas well as the following social media links:
I'm finally getting caught up from the long hiatus across the board and look forward to sharing talented artists dishing out great music as well as the classics we all know and love.. like this one from Toby Keith!
Here in KellysCountry I spotlight a lot of different artists. Some for the music, some for the writing artistry and a lot for both sides of the coin.
Back in September I featured an artist who'd reached out to me - Kristian Montgomery and the Winterkill Band.
Well, Kristian is back with a new album and working on another to release in the fall.
Ahhhh - the beauty of being and indie artist! You can do things on your timeline - not on what some office exec or editor thinks needs to be done. Not only that, but unlike the big execs and editors, you are your own client, where those folks are handling dozens (if not hundreds) of clients every day. That's a lot of balls to jungle.
He kicks the album off by jumping right into the pit of American Fire. While I like the album, I am not a fan of repetitive lyrics. That's just me personally and he uses the title words over and over, specifically towards the end where I think his talents could have been better spent.
You really get the harder soul in Don't Call Me Baby.
Just Driving Around has a nice easy shuffle 'round the dancefloor I quite enjoyed. A good backroad sody cruise tune.
Now, if you want to talk soul, Soul to Soul has it to the core. I could easily sit back with my eyes closed and let this song just play in a loop.
That Kind of Love takes us down a road with an amazing rhythm driving a foreboding undertone. If you aren't tapping toes on this tune, you need to wake up your soul.
They'll Remember My Name is the dark, hard type of track I can't get into, personally, but my ex would have loved it! LOL
Tired of Being Tired really sums up a lot. Those four simple words took a talented writer like Kristian Montgomery to turn them into a classic.
When's the last time you heard the phrase Warm Grave? This is a story type of tune I really get in to. The visuals that come to mind in this track are amazing. Let yourself go to the warm grave.
The final track, Working Hands, is another great shuffle tune. Similar to Just Driving Around but with a bit more drive in the beat.
While I like the album, I am not a fan of repetitive lyrics he showcases on a couple of the tracks. That's just me personally. I think his talents could have been better spent continuing to tell a story. That said, Kristian has a killer voice. As one person commented on dropbox.. the dude can sing! Overall, this is a great album for those who like the hard stuff. I'm just more of a wine girl. ;-)
If the hard edge, soulful Americana is your shot, then PRINCE OF POVERTY is the album you want on your playlist.
I am giving this album:
.5
Here's a video from one of the tracks - Working Hands
You will find Kristian Montgomery on the following social media sites and can pick up your copy by going HERE
I just wanted to stop in and let you know I'm working really hard this week to get back on track.
I have the new album by Kristian Montgomery on the turntable tomorrow. Bit harder than I usually listen to but I really enjoy Kristian's songwriting talent and he's a cool dude to work with!
Also, I want everyone to be aware that there are people with too much time on their hands. They are ghosting YouTube channels as the actual artist and replying to comments left on official videos by the actual artists. Like they think leaving their email isn't a big red flag!? Come on. So far I've caught them on Tim McGraw's official video of Redneck Girl (cover of The Bellamy Brothers hit) as well as Vince Gill's official video of When My Amy Prays.
If you see someone posting a comment and leaving an email address supposedly by the artist, contact the actual artists promotional department ( usually found on their website) or let me know in the comments so I can direct the appropriate channels.
In the mean time, here's a special video for you today... by the real Vince Gill:
Okay, before you get excited and start looking for a copy of the video I'm about to show you, you'll only find it on YouTube.
I hadn't known about the video when the DVD was released for The Bellamy Brothers 25th Anniversary came around (I'll take that up with David later LOL)
This was a great walk down memory lane for me as I've known Howard and David since 1982. I'll try to find a couple of pictures my photographer took back then to share on a future post.
Grab your favorite beverage, get comfy and enjoy the world tour!
I intended to run Christmas music all this week but just couldn't get up to speed after a 'sister weekend' in Springfield.
I'm kicking off the remainder of this week with a special treat.
Christmas is all about family, even if this year is going to be a bit different (PLEASE practice social distancing and be safe!), we can still include family.
THE LAST CHRISTMAS stems from a story Terry's wife's grandmother told about a Christmas she experienced in 1917. Marion Norswing Phillps passsed away in 1992 but thanks to Terry and his wife, families everywhere can see how Christmas was in 1917.
Like a lot of us in this crazy year, Terry began viewing 'family' in a new way, one mirroring the trials and tribulations of our ancestors. 2020 will be the first year since Marion's passing that the family has not been all in a room together to read her story aloud on Christmas Eve. While the world has changed dramatically in the last 100 years, core themes that make this story ring true to all of us are still very strong.
One of the most talented songwriters of all time left us on September 29th due to complications following a recent heart surgery.
As a writer who focuses on Texas artists, I'd been thinking of Mac in recent weeks, wondering what he was up to, or even still with us. I decided once Bob went back to work and I got this baby shower behind me, I would do some research. Two days later I saw the tweet from Dolly Parton that he was gone.
For a guy who sang a song called It's Hard to Be Humble, Mac was just the opposite. he wass a good ole boy from Lubbock Texas lucky enough to have spent more than fifty years doing something he loved.
His career began in the 1960's when Elvis recorded several of Mac's songs. He continued into the 1970s, writing Something's Burning for Kenny Rogers and the First Edition. While Gallery recorded I Believe In Music, the tune became Mac's signature closing song for his own shows. One of my favorites he wrote was Watching Scotty Grow, a big hit for Bobby Goldsboro (1971)
While he continued to write great hits (his most recent recordings in 2014), Mac Davis also had his share of on-screen time with his own television show for two years and in North Dallas Forty (as a quarterback), with Nick Nolte. He was also a favorite musical guest on The Tonight Show.
Tomorrow, I'll drop in a video of one of my favorite Mac Davis tunes. Please share in the comments below what your favorite is.